Heavenwood
Tarot of the Bohemians - Part 1

Tracks
1. The Juggler
2. The High Priestess
3. The Empress
4. The Emperor
5. The Pope
6. The Lovers
7. The Chariot
8. Justice
9. The Hermit
10. The Wheel Of Fortune
11. Strength
12. The Hanged Man
13. Frithiof's Saga


Band:
Ernesto Guerra - Vocals
Ricardo Dias - Guitar / Vocals
Vítor Carvalho - Guitar


Discography:
1996 Diva
1998 Swallow
2008 Redemption
2011 Abyss Masterpiece


Guests:
André Matos - Bass
Daniel Cardoso - Drums (except noted otherwise)
Eduardo Sinatra - Drums (Track 1 + 13)
Franky Costanza - Drums (Track 6 + 10) Fadi Al Shami - Vocals (Track 9)
Sandra Oliveira - Vocals / Backing Vocals (Track 12 / 2 + 6)


Info:
Recorded at Raising Legends Studio (Porto, Portugal) with producer André Matos.
Mixed by André Matos at Raising Legends Studio in Porto, Portugal.
Mastered by Wojtek Wieslawski at Hertz Studio in Białystok, Poland.
Cover artwork by Gustavo Sazes
Session drums by Daniel Cardoso, recorded at UltrasoundStudios in Braga, Portugal.

Released 2016-07-22
Reviewed 2016-06-29

Links:
youtube
bandcamp
massacre

Occult Emotive Metal, it seems the number of metal genres is ever-growing – or is it the way of describing a genre that outweighs the fantasy of the genre itself. The band Heavenwood is a Portuguese band and this year they are releasing their fifth album twenty years after the release of their debut album. It is much from the Tarot deck on this album that from the outside doesn’t look all that exciting, but at least you instantly know that they will offer you quantity with seventy minutes of music on thirteen tracks. All this seems fine but maybe you wonder why a band only releases five albums over a twenty year period and that wouldn’t be such a bad question, one reason might be that they disbanded for ten years following their 1998 release Swallow. Now they are back with the same label as they started out with twenty years ago.

Gothic metal is really what it is all about, with an occult theme but their style isn’t that far from the general style of the gothic metal genre. It is kind of dark themed, the vocals are darkish and many times quite raspy, not the most lovely of voices so to speak. The sound is good and modern but also quite average for the genre and I wouldn’t say that there is anything timeless about this album. The variation through the songs is good albeit not quite good enough to keep the average listener interested for the entire time the album plays. It appears as though they target fans of the genre and their own fans, it isn’t really a genre with that wide an appeal.

I think they are good, their music works fairly well and fans will most certainly find it very agreeable. It has some great tracks, something that it is really impressive but I still think that the overall feeling is that the album is too typical of the genre and doesn’t stand out enough for me to really take notice. They push the buttons the fans like to have pushed but not the buttons a critic like this one would like to have pushed. Sure, I will not dismiss this album as it is quite good but I fear that in these cards there is no future of me owning this album but they also state that those getting the album won’t be disappointed. It is a pretty good album, plain and simple.

It is a bit too long an album and not stylistically interesting enough for me to bring out the book of superlatives. There are however some tracks that deserve some of these superlatives, like the one called The Priestess which is a great track. I also find The Empress and The Lovers great tracks, so there are three tracks that makes this album almost worthwhile. So in the end I find this album decent enough, a bit long and not as good as it is in the greatest moments – makes me wish for part 2, hopefully that builds on the best and is a bit shorter and more dynamic.

HHHHHHH

 

Label: Massacre Records
Three similar bands: Paradise Lost/Sentenced/Moonspell

Rating: HHHHHHH (4/7)
Reviewer: Daniel Källmalm


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